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| We Once were Tide |
UPDATE: all shorts now reviewed
Blokes (Block), dir. Marialy Rivas, 2011 Chile, 15 min., in Spanish with English subtitles;
Spring, dir. Hong Khaou, 2011 UK, 13 min.;
The In-between, dir. Alain Hain, 2011 USA, 10 min.;
We Once were Tide, dir. Jason Bradbury, 2011 UK, 19 min.
Triple Standard, dir. Branden Blinn, 2010, USA 20 min.;
Family Affair (Assunto de Família), dir. Caru Alves de Souza, 2011, Brazil, 13 min., in Portuguese with English subtitles
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| David Alfonso as Luchito in Blokes. |
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| Noose and blindfold are not toys intended for casual use. |
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| Danny Bernardy in The In-between |
In The In-between, Jared (Danny Bernardy) has moved in with his boyfriend, a first for him. The question soon arises of how monogamous their relationship is, in theory and in practice. The scripted action between Jared and Robert (Brian Patacca) is accompanied by voiceover of documentary interviews with real gay men about monogamy and relationship issues. Unfortunately, I found the overlapping sound clips annoying, but overall the film offers an insightful exploration of monogamy and infidelity. Recommended.
In We Once Were Tide [photo above], Anthony (Alexander Scott) feels trapped, living with his dependent mother (Mandy Aldridge) in a cottage on the outskirts of a small village on the south coast of the Isle of Wight. There's fuck-all to do at home, but his mother requires constant supervision, so he sits with sketchbook in hand, waiting for inspiration. The one light in his life is his boyfriend Kyle (Tristan Bernays), but their moment of diversion turns to panic when they return to an empty house. Anthony is near his wits’ end, but Kyle has a few surprises in store. Scott and Bernays capture the palpable tension of the maelstrom of conflicting, sometimes contradictory, emotions, set against the desolate beauty of late winter. Highly recommended.
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| Crim and D at dinner in Triple Standard |
In Triple Standard, former professional basketball player Crim (William Jennings) and his boyfriend D (Lee Amir-Cohen) must confront Crim’s deep-seated homophobia, which he expresses in nasty interactions during a friendly game at the gym. Indeed, Crim seems to be a poster boy for the idea that the most vocally homophobic guys are the closet cases. I loved the character of D, who is sure of himself and confident in stating his boundaries. Highly recommended.
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| Rossi and one of his brother’s friends |
Rossi (Kauê Telloli) lives with his parents and his bully of an older brother Cauã (Thiago Franco Balleiro) in a flat in São Paulo, Brazil. In Family Affair (Assunto de Família), Rossi tries desperately to fit in with Cauã and his friends, who treat him as a nuisance or a plaything at their whim, but Rossi takes it in stride, presumably because he feels he has no choice. Other than his attraction to one of the friends, though, we don't get any insight into Rossi, and the matter-of-fact treatment of the bullying is disappointing. Recommended.
[Note: Family Affair (Assunto de Família) is not to be confused with Assuntos de Família – O Filme, the Brazilian title for the 2000 Growing Pains reunion movie. This film has neither Alan Thicke nor Kirk Cameron.]






irrespective of what you think of the short film, Spring, and the character's action - it is grossly irresponsible of you tell people to boycott this film.
ReplyDeleteSPRING, is a work of fiction and it's not representative of SM activity, and no way do I (the director) side with either character's action. You should really let people make up their own opinion.
Urging people to boycott a film based on perceived inaccuracy in a work of fiction is very unfair and unprofessional of you.
I think it was profoundly irresponsible of you to make the film, and I stand by my comments and my call for a boycott. I do not wish for your film to have any commercial success, nor do I wish to see more films like it made in the future, which makes calling for a boycott precisely the appropriate course. I did not say that I perceive your film as inaccurate, but that I perceive it as reprehensible. I saw about half the films in this year’s festival, and yours was without exception the worst.
ReplyDeleteFurthermore, your claim that “no way do I (the director) side with either character’s action” is laughable, and, if I may say, very unprofessional of you.
dont you think it is profoundly irresponsible of you to not spend some time and review this film properly?? isn't it draconian to ask for a boycott? have you any idea what artistic licence/freedom means?
ReplyDeletei saw this at the victoria and i have to say it was very accomplished.
the film is fiction!!!!! if a film portrays someone as racist, would that mean the director is siding with the character?
why are you calling the characters top and bottom? the film doesn't refer to them as that. it's very limiting to call them 'top' / 'bottom' the film is beyond about being a bottom or a top - you have such infantile grasp of film analyse. why are you reviewing films?
j
I believe Lincoln has missed the point completely. First of all, the analysis made is shortsighted and incomplete. You are only talking about such a small part of the film, leaving the real issue of trust and first new experiences untouched. To think that the older guy would let the young guy die is ludicrous. Also, referring to them as top and bottom indicates a complete lack of understading of the gay world. The wording seems to come from the book of inaccurate stereotypes. Lincoln's comments belong to a pathetic nanny state or an extremist telepreacher, I'm not sure yet. The film is intended for intelligent adults who do not need to be told what to think. We can make our minds up thank you very much.
ReplyDeleteJon
Basque Country