Glitter & Doom, dir. Tom Gustafson, 2023, USA/Mexico, 116 min. 💖
Tom Gustafson’s Were the World Mine (Frameline32) is one of my all-time favorite films — so much so that I saw it in Toronto at InsideOut and then again twice in San Francisco at Frameline. Gustafson did not disappoint in this latest.
• IMDb page • Official website (n/a) • trailer (n/a) •
Thursday, June 22, 3:30 pm, Castro • not streaming
U.S. première
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| Glitter & Doom |
“Glitter” is the stage name of an aspiring circus artist (Alex Diaz, pictured right), a bright, bouncy, optimistic free spirit. “Doom” is the stage name of a dark and brooding musician (Alan Cammish, pictured left). Glitter lifts Doom into the light, while Doom grounds Glitter, mostly in a good way. They go off on weekend camping trips and periodically break into big musical numbers with a dozen or so backup dancers mysteriously appearing from nowhere. It’s a beautiful musical coming-of-age story, with some family drama (on both sides) as a backdrop, and on-screen appearances by Lea DeLaria, Tig Notaro, Kate Pierson (The B-52s), and the Indigo Girls themselves, whose music is the soundtrack and occasionally some of the dialogue. Definitely a MUST SEE.
Note: the printed Frameline program indicates that this film will be available in the streaming encore, but the website says that it will not.
• IMDb page • Official website (n/a) • trailer (n/a) •

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