Friday, June 14, 2024

Charting Home (QWOCFF Opening Night)

Charting Home shorts program (QWOCFF 2024), total running time: 90 minutes
Opening Night Screening
Friday, June 14, 2024, 7:00 PM, Presidio Theater
all films open captioned in English, with audio description available
⚠️Content Advisory: some of the films have content advisories, noted in the full description.
    “From reviving traditions to revisiting memories, these films soar alongside ancestral legacies and diaspora to honor the resilience and power of past generations through the persistence, perseverance, and revitalization of Indigenous cultures around the world.”
    Painted Ones by Julia Husain Nacario, 2024 USA, in English and Bisaya, 5 min. 👍

    A long-haired Bisaya Biliranon person blows a conch.
    Painted Ones
    A Visayan tattoo artist traverses and unlocks Indigenous Filipinx histories through ink.

    Bio: Julia Husain Nacario (they/siya, she) is a Bay Area based Bisaya filmmaker invested in the cultural revival of underrepresented Filipinx communities.

    It’s an interesting look at the cultural significance of tattoos as much more than just decorative. Recommended.

    • IMDb • Official website • Filmmaker • Instagram: @PaintedOnesFilm • preview • other •

    Drumbeat of Our Hearts by Cynthia Gutierrez, 2024 USA, 4 min. 👏

    An Indigenous Nicaraguan and El Salvadoran woman in a colorful embroidered blouse beats a small Indigenous drum.
    Drumbeat of Our Hearts
    A queer Nicaraguan-Salvadoran mother on an expedition to reclaim Indigenous identity.

    Bio: Cynthia Adriana Gutierrez is an award-winning first-generation Nicaraguan-Salvadorian public speaker.

    A woman is learning the traditional drumming of Nicaragua and El Salvador, and wants her baby to see her in that process of learning. It’s interesting and well done, and the baby is cute. Highly recommended.

    • IMDb • Official website • Filmmaker • Twitter • Instagram • Facebook • preview • other •

    A Black woman and a Black & Ilokano nonbinary person paint a wall mural together, their hands spattered in paint.
    A Place to Call Home:
    La Peña’s Rotating Mural
    A Place to Call Home: An Inside Look at La Peña’s Rotating Mural Program by Clara Pérez Medina, 2023 USA, 10 min. 👏

    Three generations of artists map the contours of their communities onto a rotating mural wall.

    Bio: Clara Perez Medina is a photographer and filmmaker who loves to make people look and feel beautiful.

    The La Peña Cultural Center in south Berkeley (3105 Shattuck @ Prince) had a blank wall, so inez inok’t decided to paint a mural on it, which she titled “Sueños de Mestizas” (Dreams of Mixed-race people). She then decided that a new mural should replace hers each year, to feed new energy and creativity into the Center and give young artists an opportunity to express themselves in a big way, passing down from generation to generation. The murals and the muralists are impressive, and the documentary captures their vibrant spirit. Highly recommended.

    • IMDb • Official website • Filmmaker • watch on YouTubeLa PeñaClara Perez Medina La Pena’s Rotating Mural

    Enveloped in steam, a Korean-American woman and three other women prepare freshly steamed rice for brewing jeongtongju.
    Hana Makgeolli
    The Making of Hana Makgeolli by Esther Chan, 2023 USA, 9 min. 👍

    A Korean woman makes waves brewing traditional jeontongju (전통주) alcohol, specifically including makgeolli (막걸리), a milky rice wine, in a brewery in Brooklyn. It’s an interesting story, well produced. Recommended.

    Bio: Esther Chan is a queer Chinese-American director and co-founder of Oof Stories, a video collective that produces documentary shorts featuring AAPI stories.

    • IMDb • Official website • Filmmaker • Instagram: @OOFStories @HanaMakgeolliFacebookwatch on vimeoHana Makgeolli brewery •

    علاش ماديريش بروشينغ؟ (My Hair is the View) (literally, Why Don’t You Brush It?) by Sanae Lahgazi-Alaoui & Safae Lahgazi-Alaoui, 2023 Morocco, in Arabic, French, and English 7 min. 👏

    A Black woman getting her natural hair styled at a Black-owned Moroccan salon.
    My Hair is the View
    Moroccan women embark on a daring journey to celebrate their afros and curls. Even in Morocco, it can be difficult to find someone to style their natural hair without straightening it first thing. In the process, they discuss life as a lesbian in a Muslim country. Highly recommended.

    Bio: Sanae and Safae Lahgazi-Alaoui are Afro-Arab filmmakers and community organizers of Moroccan upbringing who dream of alternative worlds. Co-sponsored by Fidadoc (فيدادوك) (ⴼⵉⴷⴰⴷⵓⴽ).

    • IMDb [Safae] • Official website • Filmmaker • Instagram • LinkedIn: @SanaeLAlaouipreview • other •

    grandmother’s eyes by Victoria 程, 2024 USA, in Mandarin Chinese and English, 4 min., 🙂
    World Premiere 

    A Chinese grandmother kneels and holds two smiling granddaughters in her arms.
    grandmother’s eyes
    For a queer Chinese person, lingering memories swell during a bus ride.

    ⚠️Content Warning: Emotional pain

    It’s an intensely personal remembrance of the filmmaker’s grandmother and their sometimes complicated relationship. Unfortunately, I didn’t really feel drawn in to the story, but it’s well made, so Recommended.

    Bio: Victoria 程 is a work in progress who enjoys customizing their clothes, painting her feelings, and sharing stories over food.

    • IMDb • Official website • Filmmaker • Instagram: @blvhrt • preview • other •

    An elder Vietnamese woman in a purple ao dai sits beside a vase of flowers.
    Hoa
    Hoa by Nguyễn Hữu Trâm Anh (Trâm Anh Nguyễn), 2022 Vietnam, in Vietnamese, 14 min. 👏

    The filmmaker’s grandmother, Trần Thị Tuyết Hoa, wrote a memoir, Hồi Ức Tuyết Hoa (Memories of Tuyết Hoa), to preserve her life before her memory disorder takes hold. Each day, she reads the book, experiencing her memories again as new from one day to the next. Her grandchild made this film as a poem to honor her. Very well done, although there were a couple of scenes that could be trimmed, starting with the seemingly endless “happy birthday” near the beginning. Highly recommended.

    ⚠️Content Warning: Mentions of war and grief

    Bio: Nguyễn Hữu Trâm Anh (Trâm Anh Nguyễn) is a visual artist from Vietnam and Toronto who specializes in documentary-experimental filmmaking from Vietnam and Toronto.

    • IMDb  [director] • Official website • Filmmaker • Instagram: @NgHTAnh • watch it on YouTube • other • Nguyen Huu Tram Anh Nguyen

    A Sāmoan woman wearing a bun and gold hoops shares a loving look with her grandmother.
    Snack
    Snack by Lauren To’omalatai, 2023 USA, in English and Sāmoan, 8 min. 👏

    A Sāmoan woman and her grandmother navigate currents of grief. They make some sweets for a late night snack and have a good talk. Well done, sweet (almost as sweet as the snack itself!), Highly recommended.

    ⚠️Content Warning: Grief

    Bio: Lauren To’omalatai is a Sāmoan storyteller and community organizer based in unceded Eastern Shoshone and Goshute land, now known as Salt Lake City, UT.

    A Sāmoan woman wearing a bun and gold hoops shares a loving look with her grandmother.

    community, family, narrative, Pac Islander

    IMDb • Official website • Filmmaker • Instagram: @Lomalatai @SnackTheShort • preview • other •

    E Le Malemo Se I’a (A Fish Does Not Drown): Pasifika Communities During Prop 8 by Sauliloa Niumeitolu, 2023 USA, in English and various Pasifika languages, 20 min. 👏

    Queer Pasifikas grapple with intolerance within their own communities.

    ⚠️Content Warning: Mentions of homophobia, Mentions of attempted suicide

    Bio: Sauliloa Niumeitolu is a Tongan poet, community organizer, educator, and farmer.

    A Tongan woman bundled up in a scarf and beanie, sits contemplatively beside jade plants in a streetside yard.
    E Le Malemo Se I‘a
    The LDS Church (“Mormons”) have a large presence in the Pacific islands; in fact, the Polynesian Cultural Center on the north shore of Oahu is run by the LDS Church. During the time of California’s Prop 8 (2008, defining marriage as one man and one woman), the LDS Church drove a wedge between LGBTQ Pasifikas people and their Mormon compatriots. The filmmaker had moved to California just in time to see the protests and counter-protests. The film features interviews with several LGBTQ Pasifikas people who worked in favor of Prop 8 (i.e., against same-sex marriage) but then came out, with the activism pushing some of them to accept what they had denied even to themselves. Highly recommended.

    The title is from a quote in the film: “Fish don’t drown. It’s their nature to swim. Don’t let anyone shame you for following your nature.”

    • IMDb [director] • Official website • Filmmaker • Facebook: @LoaNiumeitolu • preview • Loa Niumeitolu at the San Francisco Public Library [YouTube] •

    A young non-binary Hawai’ian gently touches their forehead against a tree trunk.
    Ka’ā’ume’ume:
    Navigating Home
    Ka’ā’ume’ume: Navigating Home by M. Kaleipumehana Cabral, 2023 USA, in Hawai’ian and English, 8 min.👏

    Six Kānaka ʻŌiwi maneuver between the tidal pull of home and the struggle to stay. What does it mean to be Kānaka (native Hawai‘ian) living in colonized Hawaii? For that matter, what does it mean to be a native from some other Pacific island living there? Tourists are the source of a large share of the economic activity in Hawaii, but also the source of many problems. They consume vastly more than their share of food, with much of it going to waste, and they also drive up housing costs. It’s a serious conversation about indigenous identities and their connection to the land. Highly recommended.

    Bio: Pumehana is a proud Kanaka ʻŌiwi with an emphasis on social justice, ‘āina-based education, and community building with other māhū and BIPOC folks.

    • IMDb • Official website • FilmmakerLinkedIn • Instagram • Facebook • preview • other • Ka‘a‘ume‘ume

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