Search Film Queen Review

Showing posts with label #QWOCFF. Show all posts
Showing posts with label #QWOCFF. Show all posts

Sunday, June 15, 2025

QWOCFF 2025 wrap-up and streaming encore

Three days, 49 films (five shorts programs and two feature-length documentaries), glow-in-the-dark bowling (sorry I had to skip out on that part!) and a reception for the 25th anniversary of QWOCMAP (the organization). That’s a wrap on the 21st annual Queer Women of Color Film Festival.

QWOCFF delivered again with consistently high-quality films on a range of topics. I can’t say that I loved every film, but even the few I didn’t much care for were okay, and there were 17 shorts plus both features that I rated as “must see,” and only 7 shorts I rated anything less than “highly recommended.”

If you see something in the program that you really want to see, don’t despair just yet: there will be a streaming encore in mid-September, so get on the QWOCMAP mailing list to get all the details.

QWOCFF 2025 Closing Night: We’re Here, We’re Queer

We’re Here, We’re Queer” (shorts program)
Closing Night Screening
Sunday, June 15, 2025, 7:00 pm, Presidio Theater, 99 Moraga Ave., SF
⚠️ content advisories: (see individual listings below)

(This program is a mix of short documentaries, narrative shorts, and other works.)

  • I AM GLITCHING ๐Ÿ‘, narrative, dir. Salma Parra, 2024, Germany, 7 min., no dialogue
  • The Talk ๐Ÿ‘, documentary, dir. Ella Saini, 2022, Canada, 4 min.
  • Why I Give Up Perfectionism ๐Ÿ‘, dir. Mecedes Lindsay, 2025, USA, 2 min.
  • ⚠️ OMANG ๐Ÿ’–, documentary, dir. Durvie Morake, 2023, Botswana, 30 min.
  • ⚠️ HAIR: Empowering Expression ๐Ÿ‘, documentary, dir. Bianca Langlois & Zaniyyah Johnson, 2025, USA, 6 min.
  • Mother of the Closet ๐Ÿ’–, narrative, dir. Chidera Orazulike & Yliana Roland, 2024, USA, 11 min.
  • To Speedy with Love ๐Ÿ‘, dir. Kenny Cuello, 2025, USA, 5 min.
  • My Favorite Plankton ๐Ÿ™‚, dir. Jasmine Liang, 2025, USA, 4 min.
  • ⚠️ Bathroom Attendant ๐Ÿ‘, narrative, dir. Gabriella Mykal, 2024, USA, 5 min.
  • LOLO ๐Ÿ’–, narrative, dir. Ana Gabriela Gutiรฉrrez Salgado, 2024, Mexico, 15 min., in Spanish with English subtitles

QWOCFF 2025 Centerpiece: Unapologetic Legacies

Unapologetic Legacies” (shorts program)
Centerpiece Screening
Sunday, June 15, 2025, 12:00 noon, Presidio Theater, 99 Moraga Ave., SF
⚠️ content advisories: (see individual listings below)

  • ⚠️ Mi Ofrenda ๐Ÿ‘, narrative, dir. Melba Martinez, 2024, USA, 5 min., in English, Spanish, and Spanglish with full English and Spanish subtitles
  • The Boy Who Cheated Death ๐Ÿ™‚, narrative, dir. Pipou Phuong Nguyen, 2025, France, 5 min., no dialogue
  • Trance ๐Ÿซค, dir. Bahr Tama, 2025, USA, 6 min., no dialogue
  • ⚠️ Eternal ๐Ÿ‘, narrative, dir. Lusi Wang & Lazuli Trujano, 2025, USA, 6 min.
  • ⚠️ GHOST TOWN ๐Ÿซค, dir. Sophia Leรกl, 2025, USA, 5 min.
  • ⚠️ I’m Dead, Right? ๐Ÿ’–, narrative, dir. J. Mehr Kaur, 2024, USA, 15 min.
  • ⚠️ Sister Salad Days ๐Ÿ’–, narrative, dir. Adesola Thomas, 2023, USA, 18 min.
  • ⚠️ FORever feroshUS ๐Ÿ’–, narrative, dir. Naya Ryan Rashad, 2024, USA, 13 min.
  • Don’t Cry for Me, All You Drag Queens ๐Ÿ’–, documentary, dir. Kristal Sotomayor, 2023, USA, 9 min.
  • ⚠️ To Build a Monument ๐Ÿ‘, documentary, dir. Laissa Alexis, 2024, USA, 11 min.

Saturday, June 14, 2025

QWOCFF 2025 Centerpiece: Queer Mischief

Queer Mischief” (shorts program)
Saturday Centerpiece Screening
Saturday, June 14, 2025, 7:00 pm Presidio Theater, 99 Moraga Ave., SF
⚠️ content advisories: (see individual listings below)

QWOCFF 2025 Featured Screening: Standing Above the Clouds

Standing Above the Clouds ๐Ÿ’–, dir. Jalena Keane-Lee, 2024, USA, 82 min.
Saturday, June 14, 2025, 5:00 pm Presidio Theater, 99 Moraga Ave., SF

Three Hawaiian women with long black and brown hair stand together. Two of them adorn green wreaths around their heads.
Standing Above the Clouds

QWOCFF blurb: Through the stories of Indigenous mothers and daughters who have sustained the largest political movement in modern Hawaiian history, this film explores intergenerational healing and the social and emotional labor of retaining ancient ceremonies in a rapidly modernizing world.

“Best social impact documentary” at hotdocs 2024; “Best made-in-Hawai‘i feature documentary” at the Hawai‘i International Film Festival 2024, “People’s choice” at the Mฤoriland Film Festival 2025.

Despite the presence of 13 telescopes atop Mauna Kea, each project promising to be the last one, each promising to be environmentally responsible and then releasing toxic chemicals into the soil, scientists wanted to build a massive new telescope, the Thirty Meter Telescope (TMT), with a mirror 100 feet in diameter, housed in a building 18 stories tall. Some of the local native Hawai‘ians decided they had had enough, and began protests that successfully stalled the project until finally, just a few days ago, the National Science Foundation dropped funding for the TMT, putting the plans in indefinite suspension.

I will admit to a certain degree of split loyalties. Building a 30-meter telescope would truly advance science tremendously, increasing our understanding of the entire universe, and Mauna Kea is uniquely well suited as a location for that telescope. But at the same time, the disregard for the indigenous population over many decades, even by their own state government, is shameful. If a way can be found to move forward on the Thirty Meter Telescope, it will have to be arm in arm with the native Hawai‘ians, not over their entrenched objections.

Standing Above the Clouds is a powerful documentary about the ability of people to organize for a cause they hold dear, a cause with resonances not only throughout Hawai‘i and the Pacific islands, but for indigenous communities worldwide. It’s a must see.

IMDbtrailerwatch the 2019 documentary shortofficial website

QWOCFF 2025 Centerpiece: Think Global, Act Local

Think Global, Act Local” (shorts program)
Saturday, June 14, 2025, 12:00 noon, Presidio Theater, 99 Moraga Ave., SF
⚠️ content advisories: (see individual listings below)

Friday, June 13, 2025

QWOCFF 2025 Opening Night: Liberatory Black Futures

Liberatory Black Futures” (shorts program)
Friday, June 13, 2025, 7:00 pm Presidio Theater, 99 Moraga Ave., SF
⚠️ content advisories: (see individual listings below)

QWOCFF 2025 Featured Screening: Can’t Stop Change

๐Ÿ’– Can’t Stop Change: Queer Climate Stories from the Florida Frontlines (No se para el cambio: Historias climรกticas queer desde la primera lรญnea de Florida), dir. Vanessa Raditz, Natalia Villarรกn-Quiรฑones, and Yarrow Koning, 2024 USA, in English and Spanish with open captions in both languages throughout, 97 min.
Sunday, June 15, 2025, 3:00 pm, Presidio Theater, 99 Moraga Ave., SF

(This film screened in Frameline48. Here is my review from that screening.)

a middle-aged Miccosukee man gazes out at the Florida Everglades
Can’t Stop Change:
Queer Climate Stories

Florida is at the epicenter of the right-wing project to reshape America. Florida and Wisconsin are the testbeds for legislation put forward by ALEC, and in his laughable pursuit of the Presidential nomination, Governor Ron DeSantis went after LGBTQ+ (especially trans people and anyone standing in the way of Development, specifically including drill, baby, drill. In the face of that onslaught, some activists are holding their ground and trying to raise awareness and hopefully at some point turn the tide. Filmmakers Vanessa Raditz, Natalia Villarรกn-Quiรฑones, and Yarrow Koning interviewed activists in North Florida, Central Florida, and South Florida, plus some who felt they had to leave Florida for their own safety. They talked particularly about the intersection of climate change activism with communities marginalized by the white heteropatriarchy.

The result is a call to action and a beacon of hope, and draws clear connections between issues we often think of separately. For example, climate change has brought devastation to many parts of Florida in the form of stronger hurricanes, but the burden of that devastation has fallen disproportionately on Black and brown people, poor people, immigrants, and other people just trying to hang on. Climate is a “threat multiplier,” magnifying existing injustices. It’s a necessary film, and one that everyone should watch, definitely a MUST SEE, but unfortunately, the people who most need to see it will tune out pretty early on when they hear the radicals talk. They’re not exactly fiddling while Rome burns, but they’re playing ๐Ÿ™ˆ๐Ÿ™‰๐Ÿ™Š even as experts predict that as much as 60% of the land area of the city of Miami could be underwater by 2060.

• IMDb • trailerOfficial website • Instagram: @Queers4ClimateJustice • Facebook: @QueerEcoProject • other • Historias climaticas queer desde la primera linea de Florida Natalian Villaran-Quinones

Monday, June 17, 2024

If you missed QWOCFF…

The 20th anniversary Queer Women of Color Film Festival wrapped up Sunday evening. If you missed the in-person screenings, there are two ways you can get a second chance.

Update: The Online Encore Screening has been announced, September 11 through 17, 2024. Check the QWOCMAP or QWOCFF website for the latest. As always, QWOCFF screenings are free (donations appreciated), and all films are fully open captioned with audio description available.

You can also get your commemorative t-shirt for the 20th annual QWOCFF.

Second, several of the short films are available online for free, and the full concert performance featured in Finding Her Beat is available on Vimeo On Demand for $14.99.

Sunday, June 16, 2024

Shared Navigation (QWOCFF Closing Night)

Shared Navigation shorts program, QWOCFF 2024 Closing Night Screening
Sunday, June 16, 2024, 5:00 PM, Presidio of San Francisco; total runtime: 96 minutes
all QWOCFF films are fully open-captioned with audio description available
⚠️Content Warning: several of the films have content warnings; see below

Finding Her Beat (QWOCFF Featured Screening)

Finding Her Beat by Dawn Mikkelson & Keri Pickett, 2022 USA, 89 min. ๐Ÿ’–
Sunday, June 16, 2024, 1:00 PM, Presidio Theatre
all QWOCFF films are fully open captioned with audio description available

In a wide stance beside a taiko drum, an Asian American woman raises a bachi drumstick over her head with a triumphant cheer.
Finding Her Beat
A Japanese drum master and Korean adoptee from Minnesota assemble the world’s best women Taiko drummers, to claim a cultural spotlight that has historically been off-limits to women for centuries. As the troupe prepares for a historic performance in snowy St. Paul, they navi‌gate differences in culture, age, language, and performing styles in a voyage of music, cultural expression, and sisterhood.

I had never heard of Taiko, a traditional Japanese style of drumming, although I’ve probably seen examples of it without knowing the proper name. Its roots go back centuries, but until the mid-20th century, it was male-dominated, if not exclusively male. However, a small number of women have made names for themselves doing Taiko drumming in the 21st century. One of them decided to put on a performance with as many women and non-binary Taiko drummers as she could find, in Minneapolis, on Leap Day, February 29, 2020. It looked very much like Covid might drive a wrecking ball through the plans, and indeed it was the second-to-last event at the Ordway Center before lockdown. They pressed on, enduring a two-week residency constructing and rehearsing the lineup, and put on a great show.

The event was organized by Megan Chao Smith (pictured above). Performers included Tiffany Tamaribuchi (who gave a live performance at the QWOCFF reception), Chieko Kojima, Kaoly Asano, and others from across the United States, Canada, and Japan. Most of them have Japanese ancestry, but a few do not, and simply found themselves drawn to the art form.

It’s an engaging ride, allowing us to watch the process of creation as well as some of the final result. Even if you know nothing about drumming, it’s a MUST SEE.

IMDbOfficial website • Filmmaker [Pickett] • Instagram • Facebook • previewHERbeat Artist Reel on YouTube • full concert performance on Vimeo on Demand [$14.99] •

Saturday, June 15, 2024

Queer Black Currents (QWOCFF Centerpiece)

Queer Black Currents shorts program, QWOCFF 2024 Saturday Centerpiece
Saturday, June 15, 2024, 1:00 PM, Presidio, total run time 92 minutes
all films are fully open captioned in English with audio description available
⚠️Content Warning: several films have content warnings; see below

Friday, June 14, 2024

Charting Home (QWOCFF Opening Night)

Charting Home shorts program (QWOCFF 2024), total running time: 90 minutes
Opening Night Screening
Friday, June 14, 2024, 7:00 PM, Presidio Theater
all films open captioned in English, with audio description available
⚠️Content Advisory: some of the films have content advisories, noted in the full description.
    “From reviving traditions to revisiting memories, these films soar alongside ancestral legacies and diaspora to honor the resilience and power of past generations through the persistence, perseverance, and revitalization of Indigenous cultures around the world.”