Search Film Queen Review

Showing posts with label nudity. Show all posts
Showing posts with label nudity. Show all posts

Sunday, June 30, 2024

Levante (Power Alley)

Levante (Power Alley) (literally “Uprising”), dir. Lillah Halla, 2023 Brazil/France/Uruguay, 99 min., in Portuguese and Spanish with English subtitles 👍🏐
Tuesday, June 25, 2024, 8:30 PM, New Parkway
not available in the Digital Screening Room streaming encore
⚠️Content advisory: contains scenes of violence and public harassment, and also scenes of incidental nudity in showers and locker rooms

a girls volleyball team wearing bright orange uniform shirts
Levante (Power Alley)
Sofia (Ayomi Domenica, pictured, right) is the star player on her high school volleyball team in São Paulo, which is in the championship round. Sofia is in the running for a major international scholarship, but the selection hinges on that final championship game. There’s just one thing: she’s pregnant by a guy she barely knows, and abortion is illegal in Brazil. Anti-abortion zealots get word of her plans and are determined to stop her at any cost, by trickery, by blackmail, by public ostracism, and by terrorizing her home. With support from her teammates and friends, she finds a way through.

The story is a powerful one of an uprising (the Portuguese title) against unjust and unreasonable laws that deny Sofia the most basic bodily autonomy. Unfortunately, I found it a bit slow moving, even at 1.5X, with rather more scenes of the volleyball games than I needed. Of course, it was also the last film I screened for Frameline48, so my own festival fatigue was definitely a factor. Highly recommended.

IMDbOfficial website • Filmmaker • Twitter • Instagram: @Levante_Filme @Lilla_Pwr • Facebook • preview • other • Sao Paulo

Thursday, June 27, 2024

13 Sentimentos (Perfect Endings)

13 Sentimentos (Perfect Endings), dir. Daniel Ribeiro, 2024 Brazil, 100 min., in Portuguese with English subtitles 💖
Thursday, June 27, 2024, 8:30 PM, Vogue Theatre • International premiere
not available in the Digital Screening Room streaming encore
⚠️Content advisory: contains semi-explicit simulated sex scenes

two young men cuddle shirtless on a sofa
13 Sentimentos (Perfect Endings)
In 2010, Daniel Ribeiro brought his wonderful short film Eu não quero voltar sozinho (I Don’t Want to Go Back Alone) [YouTube] to Frameline 34, where it was met with thunderous applause. Four years later, he returned with the feature-length version of the same basic story, Hoje eu quero voltar sozinho (literally Today I Want to Go Back Alone, but titled in English as The Way He Looks) [Netflix], which won the audience award for best feature at Frameline38. By amusing coincidence, if Leonardo and Gabriel were in high school in 2010, they would now be very close to the age of the main characters in this year’s film.

However, the characters and the story in 13 Sentimentos (Perfect Endings) are quite different. João (Artur Volpi, pictured foreground) is a struggling filmmaker who just ended a 10-year relationship. He’s trying to find work, he’s trying to finish a screenplay, he’s trying to find a hookup, and ultimately he’s trying to find love. The line between the screenplay he’s writing and his actual experiences begins to blur as he encounters ups and downs in all areas of his life. It’s a rom-com, and funny throughout, including some of the sexy scenes, but there are also some serious moments of genuine emotion and connection. Enthusiastically recommended, MUST SEE.

IMDb • Official website • Filmmaker • Twitter • Instagram • Facebook • preview • other • Joao Eu nao quero voltar sozinho

Desire Lines

Desire Lines, dir. Jules Rosskam, 2024 USA, 81 min. 💖
Saturday, June 22, 2024, 6:00 PM, New Parkway Theatre
plus Digital Screening Room streaming encore (within California only)
⚠️Content advisory: contains nudity and discussions of sexuality, but no explicit depictions.
two shirtless transmen meet in a gay bathhouse
Desire Lines

There are transgender men (in outdated terms, “female-to-male”) who sexually desire cisgender gay men. Among the first people ever to talk about this issue, at least from a first-person perspective, was Lou Sullivan, who was very public about being trans, about being into gay men, and ultimately about having HIV/AIDS (something he viewed as an ironic counterpoint to all the gender clinics and others who told him that he couldn’t possibly function as a gay man).

Sunday, June 23, 2024

National Anthem

National Anthem, dir. Luke Gilford, 2023 USA, 99 min. 💖
Sunday, June 23, 2024, 6:00 PM, Roxie
not available in the Digital Screening Room streaming encore
⚠️Content advisory: rated R for sexual content, graphic nudity, language, and some drug use
🏆 Frameline48 Jury Award: Outstanding First Narrative Feature

a shirtless young man lies on the ground with several other people
National Anthem
21-year-old Dylan (Charlie Plummer) still lives at home in rural New Mexico with his mother (remarkably irresponsible even when she’s not drinking) and his pre-teen younger brother Cassidy (because somebody has to take care of the kid). Dylan works odd jobs as a day laborer, until one day Pepe shows up, looking for people to do some work on his ranch, The House of Splendor. It gradually becomes clear that House of Splendor is not your average ranch, with people of various gender identities living together as a chosen family, occasionally going off to a queer rodeo. For the first time in his life, Dylan feels like he can be himself and explore parts of himself he had never acknowledged.

It’s a subtle film, insinuating itself and its message into you without the need for clumsy clue-by-fours. It affirms the beauty of being yourself with people who accept you as-is, with some laughs and some sexy time to bridge the serious moments that tug at your heartstrings. It also actively reclaims the United States flag as a symbol for everyone, not just the far right. In particular, it affirms that you can do that even in a place like rural New Mexico. Definitely a MUST SEE.

IMDb • Official website • Filmmaker • Twitter • Instagram • Facebook • previewWikipediaRotten Tomatoes: 95% • in theaters Friday, July 12, 2024 • the book National Anthem by Luke Gilford •

Wednesday, June 19, 2024

High Tide

High Tide, dir. Marco Calvani, 2024 USA, 101 min., in English and in Portuguese w/ English subtitles 🫤
Friday, June 28, 2024, 8:30 PM, Herbst Theatre (not streaming in the Digital Screening Room)

a Brazilian immigrant walks alone on the beach in Provincetown
High Tide
Lourenço (Marco Pigossi) is from a small town an hour outside of São Paulo, Brazil. He came to the United States with an American tourist he met in Brazil, and they went to Provincetown, but the relationship didn’t last, dashing Lourenço’s hopes of building a life together. Instead, Lourenço works whatever odd jobs he can find “under the table” while looking for some way to change his tourist visa to a resident visa.

Lourenço has been staying rent-free with Scott (Bill Irwin), a local he met in P-town. He meets Maurice (James Bland), an attractive New Yorker who turns out to have some relationship baggage of his own, and Scott sets up a meeting with a lawyer renting the house next door, but there are many obstacles and setbacks, some of them self-inflicted. Nothing is easy for an undocumented immigrant with scarcely any support beyond a place to crash for a few weeks. Marisa Tomei was an executive producer, and also appears as Miriam.

The acting and technical aspects of the film were excellent, but the story line is relentlessly bleak and downbeat, with hardly a ray of sunshine to break up the despair, which makes it difficult for me to give this anything more than a tepid “recommended.”

Note regarding subtitles: Only the portions of dialogue in Portuguese are subtitled. Most of the dialogue is in English without subtitles.

IMDbOfficial website • Filmmaker • Twitter • Instagram: @MCalvani • Facebook • preview • WikipediaRotten Tomatoes: 100% •

Tuesday, June 18, 2024

Λεσβία (Lesvia)

Λεσβία (Lesvia), also known as Lesvia: The Herstory of Eressos, dir. Tzeli Hadjidimitriou, 2024 Greece, 77 min., in Greek with subtitles 👏
Saturday, June 22, 2024, 1:00 PM, Roxie + streaming
Λεσβία (Lesvia)

The ancient Greek poet Σαπφώ (Sappho, which is pronounced “sap-FO,” not “saffo”) lived in the town of Ερεσός (Eresos) on the island of Λέσβος (usually romanized as Lesbos, but pronounced “LEZ-vos”). Of course, that last bit is where the term “lesbian” comes from, although in local usage, it just means someone from the island of Lesvos, the third-largest island in Greece and the eighth-largest in the Mediterranean. Lesvos is located within sight of the Turkish mainland, on the east side of the Aegean Sea, with Eresos on the far side of the island, looking out over the sea.

In the 1970s, women who love women began going in increasing numbers to Lesvos for vacation. The locals were at first surprised, then wary, finally reaching an uneasy accommodation with the tourists as more lesbians became Lesvians. Several businesses, including not one but two women-only hotels, flourished over the years, but in the 21st century, the flow of lesbian tourists slowed as more options became available for liberated vacations. Many of the lesbian businesses closed in the 2010s, but in the 2020s, there seems to be a bit of a resurgence.

This documentary tracks the rise and fall and possible revival of lesbian Lesvos. It’s a worthy addition to the history of a crucial period of LGBTQ+ history. Highly recommended.

Note: the film contains extensive nudity, mostly in the context of a nude beach, no more prurient than the film still shown here, but for that reason, the YouTube preview is age-restricted.

IMDbOfficial website • Filmmaker • Twitter • Instagram • Facebook 
• preview: Vimeo / YouTube [longer, but also 🔞] •

Monday, June 17, 2024

Out


Out, dir. Dennis Alink, 2024 Netherlands, 91 min., in Dutch with English subtitles 💖
Out: Bas Keizer (center)
Tuesday, June 25, 2024, 6:00 PM, Vogue Theatre • World Premiere
not available in the Digital Screening Room (streaming encore)

This coming-of-age story centers on two boys who were teen lovers in a small town in the rural Netherlands, where they dreamed of going on to film school. They are accepted to the film school and head off to Amsterdam, where they begin to drift apart. Ajani (Jefferson Yaw Frempong-Manson) is much more confident, outgoing, gregarious, and adventurous. Tom is an introvert, suffering the lingering effects of unsupportive parents. Bas Keizer does a star turn as Tom, viscerally conveying Tom’s inner life with every gesture and facial expression. Keizer is a good-looking guy, but it’s his embodiment of Tom’s emotions that will really win your heart. Definitely a MUST SEE.
Out: Jefferson Yaw
Frempong-Manson
(foreground right)

The film is entirely in black and white, except for a couple of brief bits of wild color. There are a couple of scenes of semi-explicit sexual activity and drug use, in addition to ubiquitous cigarette smoking.

IMDb • Official website • Filmmaker • Twitter • Instagram: @OneOfUsDeFilm [nl] @DennisAlink • Facebook • preview • other •

Thursday, June 13, 2024

Rise Up: Doc Shorts (2024)

Rise Up: Doc Shorts 2024 shorts program
Saturday, June 29, 2024, 3:30 PM, Roxie plus streaming
⚠️ content advisory: The Device contains a brief scene of erotic nudity
➳ Two of these shorts, Alok and There Are Things to Do, will also screen as a duo, “Alok & There Are Things to Do,” at a special showing on Friday, June 28, 2024, at 2:00 PM at The Strand at the American Conservatory Theater, 1127 Market St, (@ 7th St.), 3-minute walk from Civic Center BART/Muni

Tuesday, June 11, 2024

Cruel Summer streaming shorts

Cruel Summer streaming shorts program
🔞 content advisory: three of the films contain sexually explicit material
Digital Screening Room only (each short also screens in person before a feature film)
  • Beach Logs Kill, dir. Haley Z. Boston, 2024 USA, 9 min. 🫤
    (screens with Carnage for Christmas, Saturday, June 22, 2024, 8:30 PM, New Parkway)
  • 🔞 Bold Eagle, dir. Whammy Alcazaren, 2022 Philippines, 16 min., in Tagalog, Filipino and English 👎
    (screens with That Boy, Wednesday, June 26, 2024, 9:45 PM, Roxie • World Premiere)
  • 🔞 Pepino/Faca (Cucumber/Knife), dir. Gustavo Vinagre, 2024 Brazil, 16 min., in English, Portuguese, German, French and Spanish ☹️
    (screens with That Boy, Wednesday, June 26, 2024, 9:45 PM Roxie • World Premiere)
  • 🔞 Du Bist so Wunderbar (Paradise Europe), dir. Leandro Goddinho & Paulo Menezes, 2023 Germany/Brazil, 17 min., in Portuguese, English, and German 👎
    🏆 Frameline48 Jury Award: Outstanding Narrative Short
    (screens with Scarecrow in a Garden of Cucumbers, Thursday, June 27, 2024, 8:15 PM, Roxie)
  • RAT!, dir. Neal Mulani, 2024 USA, 17 min. 🙂
    (screens with Haze, Friday, June 28, 2024, 8:30 PM, Roxie)
  • Stink, dir. Matias Breuer, 2024 USA, 11 min. 💩
    (screens with “Fangs After Dark” shorts program, Friday, June 21, 2024, 8:30 PM, Roxie • World Premiere)

Wednesday, June 05, 2024

The Summer with Carmen

The Summer with Carmen (Το καλοκαίρι της Κάρμεν), dir. Zacharias Mavroeidis, 2023 Greece, 106 min., in Greek with English subtitles. Note also that, in this print, the title cards inserted throughout the film are in English only. 💖
Thursday, June 20, 2024, 8:30 PM, Roxie

This wonderful comedy is in Greek (Κάνω τις διακοπές μου!), so I think you may find it helpful to know just a few translations and place names (don’t worry — I promise, no spoilers!).
  • The Summer with Carmen
    Demosthenis & Nikitas
    ΜΟΛΩΝ ΛΑΒΕ (tattoo): Come and take them
  • “nay” (ναι): yes (very confusing to English speakers!)
  • «Αδερφές» (Aderfés): “Sissies” (a play by Nikitas)
  • Kastellórizo (Καστελλόριζο): Greek island way to the east, just a mile from the Turkish mainland
  • Erétria (Ερέτρια): resort town north of Athens, not to be confused with Eritrea in East Africa
  • ΜΟΝΕΜΒΑΣΙΑ (Monemvasia): resort off the Peloponnesos, south of Athens, 6th-century fortress city
  • Andros (Άνδρος): the next island north of Mykonos
The Summer with Carmen
Panos, Carmen, Demosthenis
We start the film with two guys at a very rocky gay nude beach, and a title card presenting the Golden Rules of Screenwriting: (1) Every movie has 3 acts; (2) every movie has a hero; (3) Every hero has a goal; (4) Every hero changes in pursuit of his goal. We are then introduced to the hero, Demosthenis, a 33-year-old former actor, and his friend Nikitas, a 27-year-old former actor. Nikitas is meant to be pitching a film idea (for a “fun, sexy, Greek, low-budget” movie) to a producer, but he’s having trouble getting anything down on paper. Demosthenis suggests the story of the summer with Carmen, and then the rest of the film is Demosthenis and Nikitas (note: rainbow hair in present, natural brown hair in flashbacks) fleshing out the idea for the film as other parts of their lives go on around them, jumping back and forth between the present day and flashbacks of the summer two years prior.

The story within the story revolves around Demosthenis’ ex, Panos, and his dog Carmen, and I’ll just say that there is definitely material there for a film script. In the course of writing the story, the lines between the writers and the characters frequently blurs, but eventually the hero’s arc is complete. The story within a story angle begins to feel like standing between two mirror walls, losing track of what is the reflection of the reflection of the reflection, but it always circles back to earth, with humor and heart to spare. I absolutely loved this film, definitely a MUST SEE, and am glad to see that it has been picked up for streaming in the United States and elsewhere. If you get a chance, go see this film!

IMDb • Official website • filmmaker • Twitter • Instagram • Facebook • preview • τρέιλερ [Greek] •

Sunday, June 25, 2023

Shorts: The Ace of Wands Tarot

“Shorts: The Ace of Wands Tarot” (shorts program)
Friday, June 16, 1:00 pm, Castro + streaming encore

Big Sur Gay Porn, dir. Ryan A. White, 2023, USA, 12 min. 🙂 • 🌐 World première
Os animais mais fofos e engraçados do mundo (The Cutest and Funniest Animals in the World), dir. Renato Sircilli, 2023, Brazil, 24 min., in Portuguese with subtitles 👎 • 🌎 North American première
Império (Empire), dir. Thais de Almeida Prado, 2023, Brazil, 4 min., no dialogue 👎 • 🌐 World première
How to Carry Water, dir. Sasha Wortzel, 2023, USA, 15 min. 👏
Ob scena (Ob Scene), dir. Paloma Orlandini Castro, 2021, Argentina, 18 min., in Spanish with subtitles 👎 • 🇺🇸 U.S. première
The Script, dir. Brit Fryer & Noah Schaus, 2023, USA, 15 min. 💖
犬漏 (Solid), dir. Hiroki Iwasa, 2021, Japan, 14 min., in Japanese with subtitles 👍 • 🌎 North American première
Y, dir. Matea Kovač, 2023, Croatia, 7 min., in Croatian with subtitles 😐 • 🌎 North American première

Hidden Master: the Legacy of George Platt Lynes

Hidden Master: the Legacy of George Platt Lynes, dir. Sam Shahid, 2023, USA, 96 min. 💖
Saturday, June 24, 3:30 pm, Castro + streaming encore

Black man and white man intimately intertwined
George Platt Lynes
George Platt Lynes was born in 1907. An aspiring writer, he traveled to Paris when he was 18, becoming a close asso­ci­ate of Gertrude Stein, Glenway Wescott, and Monroe Wheeler. He gradually realized that his talents lay more in the area of photography than writing, and he became a fash­ion photographer, also doing quite a few celebrity portraits, but the work that inspired his greatest passion was his male nudes. Of course, in the early to mid 20th century, there was no commercial outlet for male nude photog­ra­phy; indeed, merely possessing male nudes was a dangerous business, and sending them through the U.S. mail could be considered a federal crime.

This documentary dives into the life, career, and legacy of an artist who was almost forgotten by history, exploring the network of gay artists and cultural figures among whom George Platt Lynes was very much in his element. The photographs are stunningly beautiful, and the story behind them is compelling, elevating his memory and his legacy for future generations. Definitely a MUST SEE.

IMDb pageOfficial website • trailer (n/a) •

老ナルキソス (Ro narukisosu • Old Narcissus) 🔞

老ナルキソス (Ro narukisosu • Old Narcissus), dir. 東海林 毅 Tsuyoshi Shōji, 3034, Japan, 110 min., in Japanese with English subtitles 👍
Sunday, June 18, 6:00 pm, Roxie + streaming encore

young man and older man driving in a yellow sports car
Old Narcissus
Yamazaki is a septua­ge­nar­ian (which he explains to Leo means he is in his 70s) author of children’s books. He hires Leo, a sex worker, for a little BDSM play. Over the ensuing weeks and months, Yamazaki and Leo become closer as they find commonalities in their lives, even across two generations. In the back­ground is the compli­cated reality of LGBTQ life in Japan, where, for example, hetero­sexual marriage is recog­nized nationally, but same-sex domestic partner­ships are granted by local auth­ori­ties and thus only valid while the couple live in that region. The two go on a road trip, chasing someone from Yamazaki’s past.

This film contains vio­lence and sexual acti­vity, but my main hesi­ta­tion in recom­mend­ing it is that I often felt like I was missing important cultural references. There were also a few points where a plot thread just dropped away without my being able to understand how it was resolved. Interesting and recommended for mature audi­ences.

IMDb pageOfficial website [in Japanese] • trailer 🔞 • Twitter: @rounaro_0520

Arrête avec tes mensonges (Lie With Me)

Arrête avec tes mensonges (Lie With Me), dir. Olivier Peyon, 2022, France, 98 min., in French with English subtitles (note: several bits in English without subtitles) 💖
Friday, June 16, 6:00 pm, Roxie + streaming encore (individual streaming tickets sold out, but the film is available if you have the Streaming Encore Pass — but only within California)

smiling teen boy talking with teen boy on a motorcycle
Lie With Me
Stéphane (Guillaume de Tonquédec), an openly queer writer, returns to the small town in south­wes­tern France where he grew up, on the occasion of the bicen­ten­nial cele­bra­tion for the local cognac dis­till­ery. He finds himself face to face with echoes from his past, including his host and tour guide Lucas (Victor Belmondo), who seems quite familiar. We get long flashback sequences of young Stéphane (Jérémy Gillet, pictured left) and his first love, Thomas (Julien de Saint Jean, right, also ap­pearing in Le paradis (The Lost Boys) in this year’s fest­i­val). Over the decades since, the two had fallen out of touch, but had not forgotten one another.

Based on the best-selling novel by Philippe Besson, it’s a poignant story of loss and coming to terms with the past, deftly weaving together the present-day story with the wistful flashbacks. We watch the two boys as their life paths first begin to diverge, feeling the present-day character’s pangs of wondering what really happened and what might have been. It’s beautifully done, definitely a MUST SEE. Canal+ and Ciné+ were involved in production, so there’s a good chance it will come around on some stream or another, and maybe even a limited “art house” theatrical release. (It was released in cinemas in France in February 2023.)

Footnote about the title: the original French title, Arrête avec tes mensonges, literally means “stop with your lies,” so the English translation added a little double-entendre.

IMDb pageOfficial website [fr] • trailer

Friday, June 23, 2023

Fogo-Fátuo (Will-o’-the-Wisp)

Fogo Fátuo (Will-o’-the-Wisp or Feu Follet), dir. João Pedro Rodrigues, 2022, Portugal/‌France, 67 min., in Portuguese with English subtitles and in English without subtitles 👎
Friday, June 23, 6:00 pm, Roxie • not streaming

two men pose artistically naked on a stairway while two other men watch
Fogo Fátuo
The story begins in the year 2069, as the king lies on his deathbed, remembering incidents from his youth, including the time he abandoned the monarchy to become a fireman. The rest of the film is about as confusing as that summary makes it sound. There are some interesting moments and some well-choreographed dance scenes, but not enough for me to recommend this film.

IMDb page • Official website (n/a) • trailer 🔞 • this film contains male full frontal nudity


screened in the theater with the short film Le roi qui contemplait la mer (A King, Gazing at the Sea), dir. Jean-Sébastien Chauvin, 2022, France, 24 min., in Greek, English, and French 😐 • streaming as part of the “Shorts: The World Tarot” program

Black man gazes out at the sea
Le roi qui
contemplait la mer
Paul (Loic Djani, pictured) is on holiday at the seaside in Greece. He sees a man who becomes his erotic obsession. He watches him from afar, returning the same time the next day to watch him again. He has dinner with a friend and tells him about this man he’s been watching. It really didn’t seem like enough to fill 24 minutes. Not particularly recommended, although you could certainly do worse.